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Lucian Freud 1996 - 2005

Lucian Freud 1996 - 2005
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Jonathan Cape Londra
2005 192
30X30 (cm) num. ill. colori n.t.
cart. edit. con sovracc. ill. colori
  2100 (gr)
0224075152 9780224075152
 

not available

Testo in Inglese.

Some critics call Freud the only significant realist painter around these days, which surely must give untutored viewers of his work pause. Oh, yes, Freud's garden paintings are all very nice, what with their variety of painterly manners, from sharp delineation of leaves to impressionistic conjuring of compound flowers; their ambiguous perspective, in which perceived depth oscillates as it does to the eye in bright, outdoor light; and their all-over compositional feel, akin to that of Jackson Pollock canvases. And the horse and dog studies, with their sense of true relaxation, are unsentimentally appealing. But the portraits and more-often-than-not-nude figure paintings--the bulk of his most celebrated work? One could be forgiven for thinking them off-puttingly blotchy and lumpy, and, in the nudes, too naked. Thus, it is very fortunate that these pictures are so incisively introduced here by Sebastian Smee, calling attention to their allusions, the implications of their brushwork and impasto, and Freud's hopes for his achievement in them. One can look again--and start to really see. Ray Olson
 
 

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