Kazimir Malevic Suprematism
Autore/i | Mattew Drutt | ||
Editore | Solomon R. Guggenheim Foundation | Luogo | New York |
Anno | 2005 | Pagine | 272 |
Dimensioni | 25x29 (cm) | Illustrazioni | num. ill. e tavv. a colori e b/n. n.t. |
Legatura | cart. edit. con sovracc. ill. colori | Conservazione | Usato Ottime Condizioni - used very good |
Lingua | Inglese - English text | Peso | 2200 (gr) |
ISBN | 0892072652 | EAN-13 | 9780892072651 |
momentaneamente non disponibile
Testo in Inglese.
Text by: Nina Gurianova, Jean-Claude Marcade, Tatyana Mikhienko, Yevgenia Petrova, Vasilii Rakitin.
In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.
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