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Medardo Rosso

Medardo Rosso
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Richter Verlag DÜsseldorf
2004 232
24X29 (cm) 70 ill colori, 24 ill b/n n.t.
cart. edit. con sovracc. ill. colori Nuovo
Tedesco   2100 (gr)
3933807948 9783933807946
 

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Testo in Tedesco

Katalog zur Ausstellung im Kunstmuseum Winterthur, 2003 und in der Stiftung Wilhelm Lehmbruck Museum, Duisburg, 2003/4 
 
The Italian artist Texts by Christoph Brockhaus, Luigi Ambrosini, Birgit Brunk, Ettore Cozzani, Leonetta Cecchi, Erich Franz, Dieter Schwarz, Gottlieb Leinz, Ludwig Hevesi, Giovanni Lista, Julius Meier-Graefe, Pieraccini, Margherita Sarfatti, Ardengo Soffici and Medardo Rosso
 
Medardo Rosso (1858-1928) is a key figure in the development of modern sculpture. His portraits and figure studies have long been considered sculptural equivalents to Impressionism's concern with light at the expense of form. This book presents an artist more deeply concerned with materials, process, and the reproduction of his works than previously imagined. Rosso's fascination with technique is explored in detail from art historical, technical, and phenomenological perspectives. Drawing on a wealth of new archival material and close-up study of the sculptures, the authors show that Rosso's waxes, which are his best-known works, were not modelled by hand but cast with the help of gelatin moulds. The authors compare wax, plaster, and bronze casts of the same subjects to show that the manipulation of materials for visual effect was at the heart of his work. The book also reproduces and analyses Rosso's fascinating photographs of his own sculpture, which offer important clues to the charged relationship he sought to create between viewers and the mysterious busts and figures he made.
 
 

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